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Britney Spears – Oops!...I Did Information technology Again

1 Oops!...I Did It Once again 3:31
2 Stronger 3:23
iii Don't Become Knockin' On My Door

Producer – Jake*

three:14
4 (I Can't Get No) Satisfaction

Producer – Rodney Jerkins

four:28
5 Don't Let Me Exist The Last To Know

Producer – Robert John Lange

iii:fifty
6 What U Run into (Is What U Go)

Producer – David Kreuger, Per Magnusson

three:14
7 Lucky 3:25
8 One Kiss From You

Producer – Larry "Rock" Campbell, Steve Lunt*

three:23
ix Where Are Y'all Now iv:39
10 Tin't Make Y'all Beloved Me

Producer – Jake*, Kristian Lundin

3:16
11 When Your Eyes Say It

Producer – Steve Lunt*

four:06
12 Dearest Diary

Producer – Timmy Allen

2:46
  • Phonographic Copyright ℗ – Zomba Recording Corporation
  • Copyright © – Zomba Recording Corporation
  • Manufactured By – Zomba Recording Corporation
  • Pressed By – Sonopress United states of america – 07592-02
  • Pressed By – Sonopress The states – 07589-01
  • Direction – Johnny Wright (4), Larry Rudolph
  • Mastered By – Tom Coyne
  • Producer – Max Martin ( tracks: 1, two, 7, nine ) , Rami ( tracks: 1 to 3, 6, vii, nine )
  • Barcode : 0 1241-41704-two 2
  • Mastering SID Code : IFPI L028
  • Matrix / Runout (Variant 1) : 01241417042 + + 07592-02 SONOPRESS USA
  • Mould SID Code (Variant one) : IFPI 1004
  • Matrix / Runout (Variant 2) : 01241417042 + + 07592-02 SONOPRESS U.s.
  • Mould SID Code (Variant 2) : IFPI 1032
  • Matrix / Runout (Variant 3) : 01241417042 + + 07589-01 SONOPRESS USA
  • Mould SID Lawmaking (Variant 3) : IFPI 1033
  • Matrix / Runout (Variant 4) : 01241417042 + + 07589-01 SONOPRESS U.s.
  • Mould SID Code (Variant 4) : IFPI 1035

sound.and.vision's avatar

Okay, so this may look a bit weird on my folio...a Britney Spears release in amongst a lot of releases for rock bands! But im a person that volition Effort annihilation in music, fifty-fifty if its something i perceive to exist rubbish before i've heard it - just and then that my rating and review is justified. And seeing as i have a Spotify account i tin heed to any album, similar this one, for free and still within the law.

Anyway my reason for this review aside. I grew up with Miss Spears on the radio as i was born in '94. And then i pretty much know who she is, her shenanigans in the press and all of her hits from her debut to present. So today while listening to some classic 70s stone (Aerosmith, Bad Company and Osculation) i idea hmm i experience like reviewing a mainstream pop album. So i picked i at random from what was selling on ebay and upward came Oops!...I Did Information technology Again. I thought yeah i shall give this a cursory decent review.

Now im currently listening to Oops!... as im typing this and yes - i got what i expected. Teen pop (which is the style she took on in her early years) that is so over processed in the studio, with lyrics that replicate dreams that girls of 10 and nether take. So the album starts off with one of her most well known songs, Oops!...I Did It Once more - also the album title. Which is okay for a radio striking, i dont wait highly upon much stuff played on the radio - but its not the worst ane i've heard to be in the acme ten, although it sure as hell can be abrasive and has the emotional depth of a puddle in summertime. I also find it really strange how their are no Written-By credits for this anthology either, and then im guessing shes just singing these lyrics not writing them too. Subsequently the title track we go to another well known hitting by miss spears, Stronger - which simply brings back as well many memories of beingness young (my sister had it on an Early Learning Centre Cassette when i was young)...and yep its still every bit poppy as it was back then. The tertiary track i dont listen actually, it has a really cool vanquish to it, and peradventure thats all thats good on this album. It has a very much of a pop-lock beat to it, and the vocals are pretty alright. After that well it most becomes and undistinguishable mess of over produced pop crap (i was trying to avoid using that word, but pitiful information technology is). It all sounds the same, every track has a continual beat with no tempo changes, Britney's vocals come up in two forms nasily singing or talking (with the utilise of a form of vocalisation modification). The songs later 3 range betwixt quite upbeat songs like rails 8 to slower tracks like 12 - simply still even so a mush of synthetic drum beats and other sounds that audio like they came from a £60 keyboard from Toys'R'Us.

What amazes me is that Britney'southward vocals really just accept one tone, and take always really done...you lot never hear her singing similar one of her other musical peers from the Disney channel *cough*Christina Augliera*coughing*. Okay so there are forms of stone that are similar in the way that they are sung in one tone, 1 that springs to mind is Grunge, but still at least that music has depth to redeem it from i dimensional vocals. Peradventure Britney cannot sing whatsoever higher, or lower for that affair, than she already does and will always forever and a day sing with this lullaby sound...even if it does become a bit sultry at times (Womanizer) and then over again she completely DROPS singing in that track and just goes for talking.....sadly Womanizer is a guilty pleasure of mine just for the beat that i like (it was when that audio wasnt killed by Miss GaGa, Mrs Cole and their motley coiffure that are destroying music twenty-four hour period-by-day).